INBAL STRAUSS

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    A Biblio-Aid for Telling Fortune from Misfortune
    A Biblio-Aid for Telling Fortune from Misfortune
    2019 | Brass, copper, MDF, suede coating, cotton twine | 29x16x2cm
    A Constructivist Composition for Undermining Walls
    A Constructivist Composition for Undermining Walls
    2018 | Aluminium, stained pine wood, MDF, suede coating, silver chain, plaster | 200x216x16cm
    A Constructivist Composition for Undermining Walls (detail 1)
    A Constructivist Composition for Undermining Walls (detail 1)
    2018 | Aluminium, stained pine wood, MDF, suede coating, silver chain, plaster | 200x216x16cm
    A Constructivist Composition for Undermining Walls (detail 2)
    A Constructivist Composition for Undermining Walls (detail 2)
    2018 | Aluminium, stained pine wood, MDF, suede coating, silver chain, plaster | 200x216x16cm
    An Analogue Artefact for Helping to Raise a Child Born So Wild
    An Analogue Artefact for Helping to Raise a Child Born So Wild
    2017 | Brass, MDF, car paint, suede coating | 22x22x18cm
    A Postcolonial Artefact for Transmitting Beach Culture to London
    A Postcolonial Artefact for Transmitting Beach Culture to London
    2013 | Pigmented Jesmonite, stone powder, brass, stained jelutong wood | 28x23x22cm; 11x10x7cm
    A Second Generation Artefact for Reflecting on Parents’ Wasted Potential
    A Second Generation Artefact for Reflecting on Parents’ Wasted Potential
    2012 | Jesmonite, stone powder, brass, stained jelutong wood, electro-plated plaster print, canvas, suede coating | 92x28x24cm
    A Nineteen Seventies Artefact for Capturing the Beauty in Harry Nilsson’s Music #2
    A Nineteen Seventies Artefact for Capturing the Beauty in Harry Nilsson’s Music #2
    2012 | Pigmented Jesmonite, brass, pine wood, plaster print, car paint, suede coating, coffee granules, varnish, electronic resistors | 40x38x16cm
    A Nineteen Seventies Artefact for Capturing the Beauty in Harry Nilsson’s Music #1
    A Nineteen Seventies Artefact for Capturing the Beauty in Harry Nilsson’s Music #1
    2011 | Polyurethane foam, brass, maple wood, plaster print, car paint, coffee granules, varnish | 157x62x38cm
    A Nineteen Twenties Artefact for Capturing the Emotion of Sportscasters
    A Nineteen Twenties Artefact for Capturing the Emotion of Sportscasters
    2011 | Plaster print, mahogany wood, aluminium, car paint, nautilus seashell | 25x20x18cm
    An Alchemist Artefact for Locating the Place Where Colours Fade To
    An Alchemist Artefact for Locating the Place Where Colours Fade To
    2011 | Aluminium, photopolymer print, plaster print, glass, acrylic, pigmented epoxy resin, aluminium paint, water, copper, magnets | 60x40x18cm
    Italian Futurist Wind Chime #5
    Italian Futurist Wind Chime #5
    2010 | Photopolymer print, ABS print, stainless steel, aluminium paint, suede coating | 38x25x25cm
    Italian Futurist Wind Chime #4
    Italian Futurist Wind Chime #4
    2010 | Photopolymer print, stainless steel, aluminium paint, suede coating | 38x12x12cm
    Italian Futurist Wind Chime #3
    Italian Futurist Wind Chime #3
    2010 | Photopolymer print, aluminium paint, suede coating, cotton string | 38x12x12cm
    Italian Futurist Wind Chime #2
    Italian Futurist Wind Chime #2
    2010 | Photopolymer print, aluminium paint, suede coating, cotton string | 38x12x12cm
    Italian Futurist Wind Chime #1
    Italian Futurist Wind Chime #1
    2010 | Photopolymer print, steel, aluminium paint, suede coating | 38x25x25cm
    A Scandinavian Contraption for Toasting Pita Bread
    A Scandinavian Contraption for Toasting Pita Bread
    2008 | Oak wood, pigmented epoxy resin, brass, silicone | 28x26x20cm
    An Aimless Kitchen Appliance Inspired by the Peacock
    An Aimless Kitchen Appliance Inspired by the Peacock
    2007 | Polyurethane foam, polyethylene foam, stainless steel, silicone, car paint, USB slot | 45x27x20cm